Mary Conroy’s work investigates humans’ connection with nature through socially-engaged practice, including participation & intervention. In this podcast, she talks us through her 3 projects developed during the international residency programme in Levadia, Gdańsk & Govan, engaging with the natural environment in three distinct locations. She also shares how she adapted her contribution in Scotland through a remote but authentic engagement with local community following COVID-19 restrictions.
Sofia’s artistic scene is flourishing, with a wave of creativity bringing positivity and ambition to a once-stagnant scene. It has been noted a series of independent spaces open to all and part of an increasingly active subculture.
Linking Tania Bruguera’s Arte Útil (Useful Art), the function of art institutions and cognitive-science, Stéphanie Bertrand proposes a new model of curating in this essay. Exploring curatorial practice in relation to usership and the mediation of art; Bertrand considers epistemic action that pushes the practice beyond traditional forms of passive participation in art.
In this essay, Haizea Barcenilla reflects on time, artist residencies, and the precarity and sustainability of artistic labour. In an art world that demands more of the artist, Barcenilla uses the Ormston House Artist-in-Residence scheme as a case study that explores a feminist approach to working with and ultimately supporting artists.
The text is an edited lecture experiences from working within the artist-run sector as artist and curator from 2012.
A review on the Exhibition Research Lab (ERL) in Liverpool in 2020, which addressed the unspoken issues impacting the artist-led.
3331 Arts Chiyoda is managed as an independent and sustainable organization, holding all varieties of exhibitions, events, and projects. As an artist initiative carrying the motto “a place made for ourselves by ourselves,” most of our staff are artists themselves, conducting their own creative activities.